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Genre Screenwriting: How to Write Popular Screenplays That Sell, by Stephen V. Duncan
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It's simple: films need to have commercial value for the studios to produce them, distributors to sell them, and theater chains to screen them. While talent definitely plays a part in the writing process, it can be the well-executed formulaic approaches to the popular genres that will first get you noticed in the industry.
Genre Screenwriting: How to Write Popular Screenplays That Sell does not attempt to probe in the deepest psyche of screenwriters and directors of famous or seminal films, nor does it attempt to analyze the deep theoretic machinations of films. Duncan's simple goal is to give the reader, the screenwriter, a practical guide to writing each popular film genre. Employing methods as diverse as using fairy tales to illustrate the 'how to' process for each popular genre, and discussing these popular genres in modern television and its relation to its big screen counterpart, Duncan provides a one-stop shop for novices and professionals alike.
- Sales Rank: #1023217 in Books
- Published on: 2008-10-15
- Released on: 2008-10-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .47" w x 5.50" l, .75 pounds
- Binding: Paperback
- 224 pages
Review
"[This book] reveals the secrets of a successful screenplay across a range of genres and employs a variety of methods to illustrate the processes"Writer's Forum, December 2008
"Duncan (screenwriting, Loyola Marymount Univ.; A Guide to Screenwriting) concentrates here on the nuts and bolts of writing commercial screenplays. He explores each of the five primary film genres and a few subgenres to help readers understand the formula for each well enough to write—and perhaps sell—a successful screenplay of their own. Although not aiming for a general screenwriting primer, Duncan gives a brief overview on screenwriting basics. He uses his own speculative scripts, based on reworked fairy tales, as illustrations for each genre covered...Each chapter closes with helpful textual notes; appendixes provide worksheets for genre and character development." —Stacey Rae Brownlie, Library Journal, February 1, 2009
In this useful and approachable offering, screenwriter Duncan (whose film credits include A Man Called Hawk and Tour of Duty)provides aspiring screenwriters with the tools to write the mostpopular genres on the big screen, including action-adventure, thriller,science fiction and fantasy, horror-fantasy, and romantic comedy.Duncan breaks down the elements of each genre, showing readers how theprotagonist, the antagonist, and the supporting characters functionwithin the structure of the plot. Duncan uses his own spec scripts fordialogue and format tips and transforms fairy tales like Little Red Riding Hood and Goldilocks and the Three Bearsinto examples of various genres. In addition to his own work, Duncanreferences popular films in each category and shows how they typifytheir respective genres. At the end of the book, he offers suggestionsfor marketing and attempting to sell the finished screenplay. Indieaficionados might turn up their noses, but Duncan's handy how-to is apractical, accessible guide for those eager to work in popularcontemporary movies."
-Booklist
“Duncan (screenwriting, Loyola Marymount Univ.; A Guide to Screenwriting) concentrates here on the nuts and bolts of writing commercial screenplays. He explores each of the five primary film genres and a few subgenres to help readers understand the formula for each well enough to write—and perhaps sell—a successful screenplay of their own. Although not aiming for a general screenwriting primer, Duncan gives a brief overview on screenwriting basics. He uses his own speculative scripts, based on reworked fairy tales, as illustrations for each genre covered...Each chapter closes with helpful textual notes; appendixes provide worksheets for genre and character development.” –Stacey Rae Brownlie, Library Journal, February 1, 2009
In this useful and approachable offering, screenwriter Duncan (whose film credits include A Man Called Hawk and Tour of Duty)provides aspiring screenwriters with the tools to write the mostpopular genres on the big screen, including action-adventure, thriller,science fiction and fantasy, horror-fantasy, and romantic comedy.Duncan breaks down the elements of each genre, showing readers how theprotagonist, the antagonist, and the supporting characters functionwithin the structure of the plot. Duncan uses his own spec scripts fordialogue and format tips and transforms fairy tales like Little Red Riding Hood and Goldilocks and the Three Bearsinto examples of various genres. In addition to his own work, Duncanreferences popular films in each category and shows how they typifytheir respective genres. At the end of the book, he offers suggestionsfor marketing and attempting to sell the finished screenplay. Indieaficionados might turn up their noses, but Duncan’s handy how-to is apractical, accessible guide for those eager to work in popularcontemporary movies."
-Booklist
About the Author
Stephen Duncan is an Associate Professor, and currently Chair of the Screenwriting Department, at Loyola Marymount University.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Three Stars
By Amazon Customer
Using the Tour of Duty credit I found him on IMDBPro. His filmograhy is a bit skimpy. I recommend watching or reading interviews with the writers of successful movies rather than paying too much attention to people who read some books and then declared themselves to be screenwriting gurus. Gurus usually offer some kind of cookie cutter structural method. The people who actually make movies talk mostly about story.
0 of 0 people found the following review helpful.
It's a good pick up.
By Robert Hadley
This book is meant to be basic. It's going through the basics of a genre. If you are expecting to learn structure you need to look for Syd Field "Screenplay." This for the writer who is looking to advance, not starting from scratch.
0 of 0 people found the following review helpful.
Good
By JD Spivey
It's a good book, but it's a bit too basic and very repetitive. It doesn't go into full detail about how to construct action set-pieces or create real-life breathing worlds in the fantasy genre.
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