Cruryer: Februari 2011

Jumat, 25 Februari 2011

[M486.Ebook] Ebook Free A Land Remembered (Signet), by Patrick Smith

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A Land Remembered has been ranked #1 Best Florida Book eight times in annual polls conducted by Florida Monthly Magazine.

In this best-selling novel, Patrick Smith tells the story of three generations of the MacIveys, a Florida family who battle the hardships of the frontier to rise from a dirt-poor Cracker life to the wealth and standing of real estate tycoons. The story opens in 1858, when Tobias MacIvey arrives in the Florida wilderness to start a new life with his wife and infant son, and ends two generations later in 1968 with Solomon MacIvey, who realizes that the land has been exploited far beyond human need. The sweeping story that emerges is a rich, rugged Florida history featuring a memorable cast of crusty, indomitable Crackers battling wild animals, rustlers, Confederate deserters, mosquitoes, starvation, hurricanes, and freezes to carve a kingdom out of the swamp. But their most formidable adversary turns out to be greed, including finally their own. Love and tenderness are here too: the hopes and passions of each new generation, friendships with the persecuted blacks and Indians, and respect for the land and its wildlife.

A Land Remembered was winner of the Florida Historical Society's Tebeau Prize as the Most Outstanding Florida Historical Novel. Now in its 14th hardcover printing, it has been in print since 1984 and is also available in trade paperback.

Sales Rank: #2102228 in Books
Brand: Signet
Published on: 1986-01-07
Released on: 1986-01-07
Original language: English
Number of items: 1
Dimensions: 5.00" h x 1.00" w x 7.00" l,
Binding: Mass Market Paperback
429 pages

Features

Great product!

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1 of 1 people found the following review helpful.
A Land Remembered
By seahorse
Thoroughly engrossing tale of Early Florida settlers and their interaction with the land.
There was so much to this story and because I live in South Florida and am familiar with many of the areas mentioned I felt a deep connection to this book.
Vast in space and time, this novel is almost epic. It will resonate with anyone interested in the early agriculture, ranching, economy and role of the railroad in South Florida's progress.
The story of the lives of the pioneers struggling to survive is woven into the land, braided with relationships with Native Americans and brought forward with concerns about the environment. Beautifully written with rich, colorful characters, this is a novel I will long remember!

2 of 2 people found the following review helpful.
A wonderful read for both kids and adults
By Wendy Casperson
I work with 4th grade gifted students in Delray Beach, Florida and we have read the student's edition for the last 2 years. The students get so involved in the book that we forget that it is time for lunch. My student's read in voices that take on a life of their own. The student's learn so much about Florida's history in this book that the student's parents even want to read it as well. There are some parts that can be a little disturbing for younger more sensitive readers but if you explain about the "wildness" of the times without law it can easily ease those who think it is a little rough. I used Google to show the students what some the items were that the McIvey family used and saw during those times.

I also gave this book to my father after I had been talking to him about it and he loved it. We passed the adult book around until everyone in the family had read it. We had the most wonderful family discussion about it. My mother is a true Floridian - she is 72 years old and was born and raised about 1 1/2 miles from where we both live. She remembers when some of the ruralness of Florida and this book hit home.

If there were 10 stars I would have given it 10. It is a great read for both young and old alike especially 4th graders who are doing Florida Studies which is state mandated. You learn something new each time you read it.

0 of 0 people found the following review helpful.
Smith Got it Right
By R. D. Taylor
As a fifth generation native, with ancestors going back to 1863 in the Florida wilderness, Smith's account tracks accurately with those stories, tales, and accounts passed down by my family, at the reunions of time gone by, as well as the memories of my youth.

The Florida Smith describes is mostly long gone now, our vast savanna replaced with the hideous glitz of tourist the tourist traps vying for a few of those last coins brought by the visitors to "The Magic Kingdom" Sea World, Universal Studios and Gator Land. All of which are run and attended by folks with no clue to the natural beauty destroyed for their entertainment and amusement. Our beaches blocked by high rise condominiums, eateries, and the ubiquitous souvenir shops with genuine, imported from China Florida, souvenirs to ship to the folks back home, or carry back on the plane to remember their vacation in the sun.

I'm old enough to remember Orlando as a citrus and cattle shipping town, our beaches were free of condos, and our waterways clear. Which makes this a bittersweet read for sure. But, an absolutely engaging one.

So for those who take for granted a two & a half hour drive from Tampa to Cape Canaveral, Smith's time capsule will take you to a time when that same trip took two weeks to a month, if you made it at all.

Well worth the investment for anyone interested in Florida History.

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Kamis, 24 Februari 2011

[M317.Ebook] Download Toxic Injustice: A Transnational History of Exposure and Struggle

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Published on: 1609
Binding: Paperback

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Rabu, 23 Februari 2011

[G115.Ebook] Download PDF The Project Resource Manual: CSI Manual of Practice, by The Construction Specifications Institute

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The authoritative resource for the organization, preparation, use, and interpretation of construction documents encompassing the entire life cycle of a facility. This new edition considers the need for interdependent processes of design, construction and facility use.

The Fifth Edition expands the scope of the manual to meet the requirements of all participants involved in a construction project in a stage-by-stage progression, including owners, A/Es, design-builders, contractors, construction managers, product representatives, financial institutions, regulatory authorities, attorneys, and facility managers. It promotes a team model for successful implementation.

Sales Rank: #123059 in Books
Published on: 2004-09-16
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 11.30" h x 1.26" w x 8.50" l, 3.66 pounds
Binding: Hardcover
1200 pages

From the Back Cover
First published in 1967, the CSI Manual of Practice has been recognized as the standard for project manual preparation and administration.

NEW IN THIS EDITION

Covers entire life cycle of a facility
Guide to Project Conception for owners, developers, and A/Es
Guide to selecting a project delivery method
Guide for procurement (bidding/negotiating/purchasing)
Construction project administration and management tools
Effective transition from construction to facility management
New forms

"It is a huge stride forward for CSI to develop a manual that covers the total life cycle of a facility. CSI is one of the few organizations in existence with the representation within it to create a 'balanced' view of such a broad subject." -- Mr. Robert Johnson, FCSI, CCS, CCCA, AIA, CSI Past-President

A COMPREHENSIVE RESOURCE FOR CONSTRUCTION PROFESSIONALS
There's no better guide for organizing and documenting construction projects than The Project Resource Manual: CSI Manual of Practice. From the first glimmering of a project idea, through every stage of procurement, design, and construction, to facility management, PRM gives you working tools to make every project go smoother and quicker. It helps avoid errors, misunderstandings, and cost overruns, and assists you in reaching the ultimate project goal -- coming in on time and within budget, and meeting the owner's requirements.

Used universally throughout the construction industry, The Project Resource Manual is the ideal tool to help you:

Understand the roles and responsibilities of the four project teams: owner, design, contractor, and supplier
Determine the most appropriate project delivery method
Understand the design process and product selection
Prepare accurate and enforceable specifications applying the CSI/CSC’s UniFormat(tm), MasterFormat(tm), SectionFormat(tm), and PageFormat(tm) for clear, concise, correct, and complete contract documents
Coordinate, interpret, and enforce contract documents
Effectively administer construction contracts
Improve communications among project participants
Utilize project resources for effective facility management
Plan for existing facility improvements and modifications

Filled with helpful solutions, the new edition of this reference tool gives you a common language and system for organizing, standardizing, retrieving, communicating, and exchanging construction information in an effective and efficient way. Let The Project Resource Manual: CSI Manual of Practice, help improve your company or practice today.

INSIDE: RESOURCES TO BUILD ON:
* Construction Industry Fundamentals * Project Conception * Project Planning and Design * Project Delivery * Construction Documents * Bidding/Negotiating/Purchasing * Managing Construction * Construction Contract Administration * Product Representation * Facilities Management

About the Author
The Construction Specifications Institute (CSI), Alexandria, Virginia, is a national professional association that provides format standards to meet the construction industry's need for a common system of organizing and presenting documents. CSI also provides technical information and publications, continuing education, professional conferences, and product shows to assist the professions involved in creating and sustaining the built environment. CSI's 18,000 members in more than 140 chapters include architects, engineers, specifiers, contractors, building owners, facility managers, and product manufacturers. Founded in 1948, CSI is the only organization that serves all the major disciplines involved in facility design and construction.

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0 of 0 people found the following review helpful.
Five Stars
By Kanika L.
This book has everything I need for the professional pratice and for the A.R.E.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
The Manual came exactly as described.

14 of 14 people found the following review helpful.
Excellent counterpart to the AIA Handbook.
By Chris Baumbach
First off, I'm an architect, so my review is written from that perspective.

This is a great companion to the AIA Handbook. If the AIA Handbook is about running a firm, the CSI PRM is about running a project. An oversimplification, yes, but both books are so dense and full of critical information, no 100 word review could do either justice.

The CD includes many useful references including an overview of MasterFormat and a list of divisions / sections, but does not include the entire MasterFormat "product" (the full MF product includes 95-04 conversion tools and additional documentation).

My only complaint is that the text is so dense it takes a lot of time and energy to absorb all of the information within. :) It's as if they took a 1000 page tome and compressed it into 300 pages. (The product description says 1200 pages, but it's only an inch thick, so I'm guessing 300 pp.)

A must-have for architects who strive to deliver projects in a more expert and professional manner, and wish to more effectively interface with contractors during the construction phase. If you're a pure "designer" or only involved with the front end of projects this will probably stay on the shelf, but if you're responsible for the rest of the process (DD through construction and occupancy) this book is essential.

I can't believe I made it through 6 years of architectural education without being required to own this book.

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Sabtu, 19 Februari 2011

[X746.Ebook] Ebook Free Metaphysics, by Peter van Inwagen

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This essential core text introduces readers to metaphysics. In thoughtful and engaging prose, Peter van Inwagen examines three profound questions: What are the most general features of the world? Why is there a world? And, what is the place of human beings in the world? The third edition includes an entirely new chapter on ontology. The new chapter presents a theory of the nature of being and proceeds to apply this theory to two problems of ontology: the problem of non-existent objects and the problem of universals. Equally valuable as a textbook in a university course or an introduction to metaphysical thinking for the interested layperson, Metaphysics remains a fascinating book for a wide range of readers, from first-time students to the most sophisticated philosophers.

Contents

1. Introduction

Part One: The Way the World Is
2. Individuality
3. Externality
4. Temporality
5. Objectivity

Part Two: Why the World Is
6. Necessary Being: The Ontological Argument
7. Necessary Being: The Cosmological Argument

Part Three: The Inhabitants of the World
8. What Rational Beings Are There?
9. The Place of Rational Beings in the World: Design and Purpose
10. The Nature of Rational Beings: Dualism and Physicalism
11. The Nature of Rational Beings: Dualism and Personal Identity
12. The Powers of Rational Beings: Freedom of the Will
13. Concluding Meditation
14. Coda: Being

Sales Rank: #904642 in Books
Published on: 2008-08-05
Released on: 2008-08-05
Original language: English
Number of items: 1
Dimensions: 9.00" h x .78" w x 6.00" l, 1.30 pounds
Binding: Paperback
344 pages

Review
"Explores basic metaphysical issues in a brisk, accessible way.....fascinating." -- John Martin Fischer, University of California, Riverside

About the Author

Peter van Inwagen is John Cardinal O’Hara professor of philosophy at the University of Notre Dame. A member of the American Academy of Arts and Sciences, he is the author of numerous books, including Ontology, Identity, and Modality and Christian Faith and the Problem of Evil.

Most helpful customer reviews

40 of 42 people found the following review helpful.
Introductory, but not basic...
By ewomack
Metaphysics often plays the role of modern science's curmudgeonly grandfather. While the relatively young discipline of science gains more and more prestige by showing us more and more of what empirical reality consists of and making larger and larger claims about what science will show us ("The Mind of God" one popular physicist proclaimed), Metaphysics is the hoary old guru that tugs on science's collar and squacks, "Look here, sonny, settle down, we don't have all the answers." Whether this explains the claims of some scientists that metaphysics (or philosophy in general) is redundant and irrelevant, who knows. What is known is that Metaphysics, and philosophy in general, is a place for questions that don't yet have answers. This book provides an excellent introduction to the field of metaphysics, and by the end of the book the reader will have a very good idea of its basic (but indefinite) scope and the questions it asks.
The introduction to the book lays the groundwork for philosophical thought. The author warns the reader not to expect to come out of this reading with any new "information" in the way a physics or biology textbook would teach you something concrete and almost unquestionable. Metaphysics is all about questions that dangle on the head of a pin, and the logic and methodologies one uses to sway the question to one side or the other (or maybe both or neither). The introduction basically admits that metaphysics is not a science and one shouldn't expect scientific knowledge from its study. This chapter alone should be required reading for all new philosophy students (I could have used it at the beginning of my studies some years back - it would have saved me a lot of second guessing and frustration).
The book is basically a whirlwind tour of philosophy that incorporates metaphysical questions and historical arguments. The monism of Spinoza and monism in general are examined. Bishop Berkeley's view of the external world (or lack of it) is put to various arguments. Anti-Realism is considered by the author almost incomprehensible (this chapter is pretty interesting). The classic ontological and cosmological arguments are picked apart (the notion of 'possible worlds' is also introduced) and finally subjects concerning human beings themselves are discussed at length: are we physical or non-physical things? Do we have free will? What is rationality? Each subject is put to the test: the author presents both pros and cons of all the positions one can take on the views, but ultimately the author has a side that he's arguing for. He's not shy about it, either, but he does present all sides fairly, not just the ones he's arguing for. Sometimes it's difficult to tell where the author will come out. In some chapters he seems to be arguing overwhelmingly for one position, when he is in fact for the opposite. This will keep you on your mental toes.
One almost shocking thing about this book is that the author presents his beliefs to the reader before he tears into the arguments. This is pretty rare in philosophy texts, and is very admirable considering that these confessed beliefs do not seem to interfere with the logic or reasoning of his arguments. I found that move pretty gutsy.
If you have a philosophy degree, likely the information in this book will not be new. Nonetheless, it is true that a degree is in no way required for reading this book. It was meant to be, as Van Inwagen says in the preface, "...a book that the - I hope not mythical - 'interested general reader' can pick up and read without guidance from an instructor." This doesn't mean that it's an easy read, quite the opposite. Following the logic of the arguments in many places takes patience. If you're new to some of the concepts, letting them soak in will also take some time. Regardless, this is probably the best introduction to the subject of metaphysics currently out there. Too bad about the cover; it makes the book like a dry overly academic textbook, which it's not. Even if you're skeptical about the value of philosophy, this book will give you something to chew on. But don't expect light and lazy rainy afternoon reading.

31 of 34 people found the following review helpful.
An Excellent Introduction to the Subject
By S. Guha
I've now read van Inwagen's "Metaphysics" three times, cover to cover, and have more or less internalized the book. It is one of the best introductions to the subject, bar none; indeed, this is the book that first made me realize what metaphysics *is*. This book is suitable for the general reader, even if he has no previous background in philosophy, provided he is willing to think hard. It is equally suited to the beginning student of metaphysics. Van inwagen characterizes metaphysics, accurately in my opinion, as the study of ultimate reality. The metaphysician, in other words, is the inquirer who seeks to say exactly how the world really is. As such, the metaphysician cannot be content with anything less than the strict, literal, and precise truth about all things. The metaphysician's subject can be organized succinctly around three questions:
(1) What is the world really like? What are its most general features, and how is it organized? (2) Why is there a world at all? Why does the world have the general features and organization that it has? (3) What is our place in the world? How, if at all, do we fit into the scheme of things?
(These are paraphrases of questions that van Inwagen puts to the reader in the introduction of his book.)
The book can be seen as an introduction to metaphysical inquiry, by way of actual examples of how metaphysicians have attempted to answer these questions, and more specific questions that fall under them. Thus, van Inwagen examines, among other things, individuality (monism, nihilism, pluralism, Spinoza's & Bradley's arguments for monism), externality (Berkeley's subjective idealism), objectivity (Realism and anti-Realism), the cosmological, ontological, and teleological arguments, in several different forms, mind-body dualism and physicalism, free will vs. determinism, composition and persistence through time, and personal identity. In the course of this inquiry, van Inwagen makes no effort to maintain a fine neutrality; he forthrightly states his own opinions and argues for them, examines and criticizes opposing views and arguments, and offers his conclusions. On some matters, he finds no solutions, but only enduring mysteries. The book concludes with a meditation on mystery, and a suggestion that metaphysical problems may be beyond human power to solve (or resolve), and that it is no surprise if that is in fact the case. I happen to disagree with these sentiments, at least to a degree, and I certainly disagree with many of van Inwagen's conclusions. But that's the point. Learning metaphysics isn't learning a set of established facts, it is learning how to form something resembling an intelligent opinion on matters metaphysical. If, by the end of this book, you have learned enough to *disagree* with van Inwagen intelligently, the book has done its job. It certainly did for me.

15 of 17 people found the following review helpful.
breadth and depth from one of the finest
By Micah Newman
Peter van Inwagen writes here for the "hopefully non-mythical, general interested reader." This book is thus a guide to some broad topics in metaphysics written for someone with no philosophical background, but that is willing and able to think deeply. Of particular value is the introduction, wherein van Inwagen gives a characteristically cobweb-clearing explanation of just what metaphysics *is* (to a philosopher).

The topics (see the Table of Contents) cover pretty much the whole swath of metaphysics, and metaphysics is so wide- and far-reaching itself that each topic would be take several graduate courses to fully explore, just from a contemporary perspective. There is great breadth here, but also significant depth for the issues covered. Basically, for each topic van Inwagen introduces a main idea, then follows an argument to a conclusion (the one that he favors, naturally enough). But one also gets a strong sense of what other issues subside within, or are otherwise connected with, a topic. This book also serves as a terrific example of the author's general acumen for philosophical writing, in being able to navigate very clearly, lucidly, thoroughly, AND concisely through a chosen topic.

I just worry about this book's audience and whether it will reach a very large one. The thing is, it's written for an intelligent generalist and thus in the right tone for an introductory philosophy class, but also manifests perhaps more philosophical depth than your average non-philosophy-major undergraduate is prepared to tackle. I'd be very interested to know how often this ends up as a class text, though. It's also on just one topic, so for a general intro to phil. class it would have to be one book out of, say, three (the other two being in ethics and epistemology, naturally). The quality of this book, though, is such that that's how I'd be inclined to teach an intro class, if only to get as many facilely antirealist college students as possible to read the chapter on Objectivity.

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Rabu, 16 Februari 2011

[W280.Ebook] PDF Download Columbine, by Dave Cullen

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Columbine, by Dave Cullen

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Winner of the Edgar® Award for Best Fact Crime Book

New York Times: One of the 100 Notable Books of the Year

Los Angeles Times: Favorite Nonfiction of the Year

Publishers Weekly: Nonfiction Best Book of the Year

Chicago Tribune: Favorite Nonfiction of the Year

Salon.com: Nonfiction Best Book of the Year

On April 20, 1999, two boys went to their high school with bombs and guns. Their goal was to leave "a lasting impression on the world." The horror they inflicted left an indelible stamp on the American psyche.

Now in this definitive account, Dave Cullen presents a compelling and utterly human profile of teenage killers. With a keen investigative eye and psychological acumen, he draws on hundreds of interviews, thousands of pages of police files, FBI psychologists, and the boys' tapes and diaries. This close-up portrait of violence, a community rendered helpless, and police blunders and cover-ups is an unforgettable cautionary tale for our time. In the tradition of Helter Skelter and In Cold Blood, COLUMBINE is a revelatory work destined to be a classic.

Sales Rank: #88717 in Books
Published on: 2009-04-06
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.32" w x 6.50" l, 1.41 pounds
Binding: Hardcover
432 pages

From Publishers Weekly
Starred Review. In this remarkable account of the April 20, 1999, Columbine High School shooting, journalist Cullen not only dispels several of the prevailing myths about the event but tackles the hardest question of all: why did it happen? Drawing on extensive interviews, police reports and his own reporting, Cullen meticulously pieces together what happened when 18-year-old Eric Harris and 17-year-old Dylan Klebold killed 13 people before turning their guns on themselves. The media spin was that specific students, namely jocks, were targeted and that Dylan and Eric were members of the Trench Coat Mafia. According to Cullen, they lived apparently normal lives, but under the surface lay an angry, erratic depressive (Klebold) and a sadistic psychopath (Harris), together forming a combustible pair. They planned the massacre for a year, outlining their intentions for massive carnage in extensive journals and video diaries. Cullen expertly balances the psychological analysis—enhanced by several of the nation's leading experts on psychopathology—with an examination of the shooting's effects on survivors, victims' families and the Columbine community. Readers will come away from Cullen's unflinching account with a deeper understanding of what drove these boys to kill, even if the answers aren't easy to stomach. (Apr. 6)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Many reviewers were more concerned with coming to grips with the attack rather than assessing the book, but their concern may be a testament to Cullen’s work. His reporting fundamentally reframes the event: Columbine, he writes, should be thought of as a failed bombing rather than a school shooting. Furthermore, much of the conventional wisdom about how to prevent such attacks—essentially, watch out for pimply outcasts with a grudge—is confounded by an investigation into Harris’s and Klebold’s actual lives. Most critics, with Janet Maslin a notable exception, thought that Cullen’s account helps us to better wring meaning from the tragedy. In sum, Columbine “is an excellent work of media criticism, showing how legends become truths through continual citation” (New York Times Book Review).Copyright 2009 Bookmarks Publishing LLC

From Booklist
*Starred Review* Although much has been written about the 1999 shooting at Columbine High School, little of it has helped to explain why two high-school students went on a rampage, killing 13 people and wounding scores of others. Cullen, acclaimed expert on Columbine, offers a penetrating look at the motivation and intent of the shooters, Eric Harris and Dylan Klebold. Drawing on interviews, police records, media coverage, and diaries and videotapes left behind by the shooters, Cullen examines the killers’ beliefs and psychological states of mind. Chilling journal entries show a progression from adolescent angst to psychopathic rage as they planned a multistage killing spree that included bombs that ultimately didn’t detonate. Cullen goes beyond detailing the planning and execution of the shootings, delving into the early lives of the killers as well. He explores the aftermath for the town of Littleton, Colorado: survivors’ stories, investigation into how the sheriff’s department mishandled the crisis, several ongoing legal issues, exploitation of the shooting by some religious groups and sensationalists, and the school’s battle to regain its identity. Cullen debunks several Columbine myths, including the goth angle and a martyrdom story of a girl who proclaimed her belief in God before she was killed. Graphic and emotionally vivid; spectacularly researched and analyzed. --Vanessa Bush

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12 of 12 people found the following review helpful.
Columbine
By Kdragonrose21
If you want straightforward, factual information on the murders at Columbine High School, this is the book you want to read. It presents the facts and debunks many of the myths, but it also explains where the myths and misconceptions originated from. A lot of reviewers of this book disliked the way Cullen told the story by going back and forth between the day of the killings and the events leading up to April 20, 1999, but I thought it was a unique way to present the information. A lot of books written about events such as this tend to lead with all the background information and it can cause the reader to get bored. By weaving the background within the story of the killings, it kept me engaged in the story. This book also tackled the Cassie Bernall/Valeen Schnurr mix-up in a way that clarifies what happened without degrading Cassie Bernall, her family or those who still consider Cassie Bernall a martyr. This book also devotes a lot of effort into understanding the thought processes of both Eric Harris and Dylan Klebold. Many other accounts I've read simply label Harris as a psychopath and Klebold as a "follower" or "sidekick" This book has more insight on Harris and Klebold than any other account I've read. It also explores the law enforcement cover-up of their knowledge about Eric Harris's bomb experimentation and his history of violent threats. A must-read for anyone looking to know the truth about what happened and to understand what can be done to prevent these attacks in the future.

8 of 8 people found the following review helpful.
Groundbreaking
By Amazon Customer
Incredibly thorough investigation of the Columbine High School massacre and factors surrounding it on all sides. Dave Cullen does a phenomenal job at deconstructing the inaccurate narrative that most of us still hold about the event, and provides a platform for the victims' stories to be heard as well. We need critical, thoughtful explorations like this book if we are to truly learn from horrific events like Columbine.

3 of 3 people found the following review helpful.
The BEST research on this subject ever done...
By L. Vandeveer
A good read for those trying to understand what happened. It is VERY WELL researched and gives insight into the boys' parents, for whom I feel nothing but deep sorrow. Psychopaths are difficult for even professionals to recognize, let alone the poor parent dealing with one. Most people will have difficulty understanding a true psychopath unless they have actually dealt with one personally, and so tend to think poor parenting was involved, instead of realizing these children are just wired wrong from the get-go. It would be a wonderful day if/when the DSM finally recognized these people are mentally ill, which it currently doesn't. There's really no treatment that works for a psychopath, and yet they are not considered insane. Really, our definition of "sanity" should be redefined, enabling the healing arts to properly label these people and give the legal system a way to deal with them: Incarcerate them for life in order to protect the rest of us who are being victimized.

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Kamis, 10 Februari 2011

[G274.Ebook] Ebook Free Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture), by Michael Veal

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When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe.

Sales Rank: #775918 in Books
Published on: 2007-04-30
Original language: English
Number of items: 1
Dimensions: 8.99" h x .96" w x 6.18" l, 1.15 pounds
Binding: Paperback
352 pages

From Booklist
Veal chronicles how dub music progressed from remixing and altering existing reggae recordings to studio-creating original songs out of music samples, noise, and found sounds. Inventing and developing techniques with effects similar to what turntable scratching and sampling later achieved, Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, and others paved the way for rap by placing the boasting of "toasters" over bass-heavy charts and fractured soundscapes. Veal traces the development of the drum-and-bass sound central to reggae and dub, noting that "sonically and aesthetically, musicians like DJ Kool Herc," often called the progenitor of rap, "essentially transplanted the Jamaican sound system model" to the Bronx, where it was finally distilled into rap. Drawing on interviews with dub pioneers DJ and producer-recording artist Mikey Dread, Veal posits that dub and hip-hop are "deconstructive compositional strategies" that sensitize "listeners to the microaesthetics of production." Yow! Persuasive if weighty stuff that draws a line of musical development from the studios of Kingston to the bling-encrusted world of hip-hop--and it has a killer discography. Mike Tribby
Copyright � American Library Association. All rights reserved

Review
"Veal has written the first comprehensive overview of (dub's) development up to and including the digital music that followed dub's analog innovations... Veal does an excellent job of explaining, analyzing, and describing sounds. He also connects dub's influence to hip-hop, dance, electronica, and other modern genres, demonstrating how many dub tricks are still being used today in various incarnations. Readers will especially appreciate Veal's excellent Appendix of Recommended Listening, which includes catalog numbers that will make these recordings easier to find... (T)his is certainly the best and only book on dub music; highly recommended for all academic and public music collections where reggae music is popular." —Library Journal

“Veal deftly outlines the sociopolitical context in which dub arose, and explains how the cut-corner, make-do economics of the Jamaican record business led to a maximization of materials: song begat deejay version(s) beget dub(s)-at least three products for little more than the price of one... Where Veal's book steals a march on the competition is in his technical analysis of how Tubby, Perry, Thompson, Sylvan Morris, and other mixing engineers adapted (and creatively abused) the equipment in studios... He also analyzes a number of tracks by each of the principal dub engineers under discussion...to show the transformation of song to version and dub, all of which is illuminating...(H)e provides valuable information as to where these tracks may be found... (T)his is an extremely bold and interesting book.”—The Wire

Review
“This extraordinary book, with its rich interpretation of the aesthetics and social significance of dub, constitutes a dramatically original contribution to the study of Jamaican popular music, and should be a landmark in popular music studies as a whole.” (Peter Manuel, professor of ethnomusicology, John Jay College and CUNY Graduate Center)

“Veal’s wise volume has rescued Reggae music at last from the tentacles of exoticism. This is a glorious affirmation of dub’s rebel, Creole spirit.” (Paul Gilroy, Anthony Giddens professor of social theory, London School of Economics)

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33 of 33 people found the following review helpful.
Droppin' Science
By Francois Kevorkian
While there may be some readers grumbling about the author's 'dryness' in this volume, I found it to be a unique and invaluable resource in bringing out many heretofore unknown details of dub production techniques from some of its most revered protagonists.

This book authoritatively helps frame Dub in the greater context of Jamaica's musical and cultural landscape in the second half of the twentieth century, with unique innovations which some would argue has had an immense but vastly under-appreciated impact on the rest of the planet's musical development up to this very moment. The author has managed to provide studio rats such as myself with the luxurious wealth of information that -short of being having been there- some of us had been looking for since first hearing some of these recordings more than a quarter of a century ago, and as such is an invaluable addition to any dub creator's tolbox.

The minute and precise details in which some of this is recounted is a unique asset in helping preserve what has up to now been nothing but soon-to-be-gone and more often than not distorted oral tradition, and its many direct quotes from those key players still alive today will make it a solid historical reference point for those planning to further study this subject for years to come!

It is also welcome and refreshing to read such an account from the writer's African-American perspective, as it brings up many crucial facets of Jamaican music and culture into a sorely needed focus, which up to now has been the province of either ethnomusicologists who for the most part somewhat missed the point, or enthusiasts without the necessary research background and clarity of expression to bring it all together.

There are very few books that arguably helped change one's life. In my case, this is most definitely one of them. It comes with my highest recommendation.

24 of 24 people found the following review helpful.
Imaginative Work on a Revolutionary Musical Form
By Anonymous
A book like this is long overdue. The simple fact that it was published makes it good. Of the two most important strains of contemporary black music, hip-hop has generated thousands of books and articles, but dub has been largely ignored by the ethno-musicological world.

Dub - Soundscapes And Shattered Songs In Jamaican Reggae by Yale ethnomusicologist Michael E. Veal, is a scholarly work, but don't let that scare you. I know some of you might dislike the book because of its somewhat academic tone, scoff at many of its themes and find them pretentious, but I strongly disagree. This is a terrific analysis. Prof. Veal examines dub in a variety of contexts not only as an expression of Afro-Caribbean culture and the Jamaican music business but as an art form and creative process comparable to just about every modern, futurist and post-modern movement from dada and surrealism to conceptual art, from Luigi Russolo and John Cage to its influence on hip-hop and worldwide dance-pop culture.

It's not all dry, academic stuff. The man knows, and more importantly, loves his dub music. First, Prof. Veal shows us his dub credentials by going into detail about Jamaican music. But instead of the more familiar reggae legends about impoverished young ghetto singers and gun-toting producers, Veal's emphasis here is on recording studios, audio equipment, and the engineers themselves. After all, dub mixed at the various studios sounded the way it did because of the improvised, often homemade technology the early reggae engineers used. Syd Bucknor, Sylvan Morris, Graeme Goodall and Byron Smith are all mentioned, moving on to Tubby, Errol ET Thompson at Randy's, Channel One etc. There's a lot of interesting information about how JA studios developed during the late 60s and 70s.

Veal also compares dub with rock psychedelia and the use of ganja, but also notes that many of the most famous dub originators didn't smoke (Tubby and ET, for example) and while some reggae figures insist dub is not "ganja" music, others insist it most certainly is. Dub can be seen as similar to psychedelia's liberation from sonic slavery, but it seems unlikely that Jamaican engineers were listening to Pink Floyd's Ummagumma. On the other hand, a certain amount of psychedelia's production techniques like echo/delay and phase shifting made their way into some American R&B and Soul records of the late 60's and early 70's, which have some rather proto-dubby-sounding parts. These records would've been familiar to Jamaican musicians at the same time dub began to appear, and are likely to have influenced them.

Prof. Veal conducted dozens of recent interviews with various figures connected with dub's 70's heyday. "Fortunate survivors" would perhaps be a more accurate way of describing them, given the all too common murders and early deaths which are a tragic fact of life in JA. The dark, moody and aggressive nature of much dub is also considered as a reflection of the crime and violence in Kingston's ghettoes. These interviews contain a wealth of comments which help shed new light on the development of dub. Sadly, the fact that a book on dub has taken 30 years to appear means that King Tubby and several others aren't around to offer their comments

Then, he takes us through a few carefully analyzed mixes by various engineers. It's good to see others besides Tubby and Scratch getting their due credit. Here, Prof. Veal shows us he really listens to this stuff like a truly obsessed fan. Starting with some late 60's Studio One productions, he describes the recordings in great detail, noting the peculiarities of the mixes, instrument placement, sound quality and tape hiss. He describes how the mixes were done based on his interviews with the engineers, what key the tunes were played in, how echoed/delayed chords and vocals create strange rhythmic and harmonic juxtapositions, even noting the echo/delay rates used, the qualities of various types of reverb equipment, and how the signal path through the mixing board created certain sounds. There's a lot of interesting comments by the engineers; Jammy says his best mix ever was "Jammy's A Shine", his powerful, mind-blowing dub of Ronnie Davis' cover of the Wailer's "Sun Is Shining" produced by Bunny Lee around 1977-78. "That record mash up Jamaica and England and Europe and them places completely!" says Jammy.

Professor Veal explores the concept of dub as a process rather than product, which transforms the "truth" and "reality" of a normal reggae tune, its sounds unfolding and being turned inside out in the mix, causing the listener to question the authority of their preconceived notions. This was similar to the goal of dada/surrealism (to take one example) and thus dub can be considered to be part of the 20th century's avant-garde tradition. Many of the themes have been briefly discussed by music critics in the pages of The Wire and the liner notes to the Macro Dub Infection compilations for instance, but Veal devotes 300 plus pages to it, and expands on dozens of the same thoughts and feelings about dub as I (and others) have had for these last 25 years. Slavery and colonialism, the Afro-futurist sonic sci-fi of Sun Ra and Lee Perry, class and race issues, technology and information, all get name checked. The fact that Veal's themes are sprawling yet coherent demonstrates the importance of this music.

I've always felt it is probably one of the most revolutionary developments in late 20th century "pop", and Veal also touches on this line of reasoning. Dub radically subverts traditional structures of harmony, rhythm and composition. Dub disrespectfully ignores the notion that every recording of a musical performance is sacred and must not be technologically tampered with because it destroys the integrity and authenticity of the musicians' "artistic expression" as caught on tape. The implications of this subverts the idea that a piece of music (or any art) is "complete" in only one, final form, as intended by its "creator", and ignores ownership and copyright issues. Thus it can be compared to such figures such as Cage, Stockhausen, Warhol, Duchamp, Derrida, Deleuze and Guatarri, post-structuralism and deconstructionism (etc bla bla bla). Dub wallows in gimmicky, anti-musical sound, using echo, fade-ins and outs and other sound effects in totally inappropriate ways which an "authentic" "serious" musician would find absolutely appalling. It not only re-mixes, but it re-thinks, ignores, or gleefully violates practically every rule in the book. The same things were said about bebop back in the 40's, but ironically it is often the jazz purists who loathe musical developments like dub and hip-hop. Like the use of sampling, dub's entire assault on musical convention infuriates traditional, conservative musicians, and on balance, this is certainly a good thing. That's what makes dub so innovative and important, and of course so much fun.

These days, when there are so many people creating what Adrian Sherwood calls "designer dub" - a reggae composition intended to be "dubby" from the start, Veal reminds us that "dub" cannot really exist without a "vocal" version to compare it with - dub is a process of transformation. That's what makes dub so powerful. It's far more dramatic when you hear the vocal followed by the dub (or perhaps vice-versa). A "dub" tune by itself may sound good on its own terms, but it will be far more thrilling when heard in contrast to its traditionally-mixed vocal cut. Obviously, the 12" and "showcase" LP are the ideal formats for this.

I'm really impressed with this book, and it's about time someone from the academic world gave dub some serious consideration as a major, influential musical art form.

4 of 4 people found the following review helpful.
Great resource for musicians, producers and students of popular culture
By F. M. Coleman
This is a book written by an academic, but it has applications for anyone interested in this kind of music. After covering the development of modern Jamaican music from independence in 1962 on, he devotes a lot of space to analysis of the different recording strategies used by most of the well-known originators of dub and breaks down individual tracks in some detail, even detailing the specific equipment used by many producers. As someone who records and mixes my own music I found this kind of information really useful and inspiring and it has already caused me to question some of my own creative strategies and techniques. The second half of the book looks at the music in its political and historical context and follows the influences of dub in modern music. A book like this has long been called for. I remember the frustration of talking to young DJs who were all about 'dub' but actually didn't even know the music had originated in Jamaica. Dub was an extraordinary moment in modern music and deserves the seriousness of this treatment. One presumes that had this music originated in Europe they would be devoting university courses to it. Some readers may find the second half of the book a bit dense, but I loved all of it.

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[M602.Ebook] Free Ebook Moss and Adams' Heart Disease in Infants, Children and Adolescents: Including the Fetus and Young Adult, 2 Volume SetFrom Brand: Lippinc

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Established since 1968 as a classic pediatric cardiology text, this two-volume work is now in its Seventh Edition. Leading international experts describe state-of-the-art diagnostic and interventional techniques for young patients with congenital and acquired heart diseases and for adult survivors of congenital heart disease.

This edition's section on pediatric cardiac intensive care has new chapters on interventricular and cardiopulmonary interactions and on the extreme premature, premature, and normal newborn. A section From the Gene to the Neonate provides in-depth coverage of genetics, fetal echocardiography, and fetal cardiology. An extensive section focuses on adult survivors of congenital heart disease.

A companion Website will include the fully searchable online text and a full-color image bank.

Sales Rank: #1660477 in Books
Brand: Brand: Lippincott Williams n Wilkins
Published on: 2007-10-16
Original language: English
Number of items: 2
Dimensions: 3.15" h x 9.00" w x 12.00" l, 11.72 pounds
Binding: Hardcover
1680 pages

Features

Used Book in Good Condition

Most helpful customer reviews

3 of 4 people found the following review helpful.
"The" Textbook of paediatric cardiology
By AH cardiology
Moss and Adam is probably the most comprehensive textbook for paediatric cardiology ( similar to nelson in paediatrics) . This textbook is divided into two volumes, which make it handy and easto carry. its well written, easy to understand and reliable source of updated information.

0 of 0 people found the following review helpful.
Great pediatric cardiology book
By Techsavy
Great pediatric cardiology book .Leading international experts describe state-of-the-art diagnostic and interventional techniques for young patients with congenital and acquired heart diseases and for adult survivors of congenital heart disease.

0 of 0 people found the following review helpful.
Pediatric cardiology textbooks
By Kalina Ganeva
Great book, really ! It is even better, than I expected. I recommend it to all future and present pediatric cardiologists.

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[Z487.Ebook] Free Ebook Drinking Molotov Cocktails with Gandhi, by Mark Boyle

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More than ever, people are longing for deep and meaningful change. Another world is not only possible; it is essential. Yet despite our creative and determined efforts to attain social justice and ecological sustainability, our global crises continue to deepen.

In Drinking Molotov Cocktails with Gandhi, best-selling author Mark Boyle argues that our political and economic system has brought us to the brink of climate catastrophe, ransacking ecosystems and unraveling communities for the benefit of the few at the expense of the many. He makes a compelling case that we must "rewild" the political landscape, as history teaches us that positive social change has always been wrought by movements prepared to use any means available.

The time has come for pacifists, revolutionaries, and freedom fighters to work together for the creation of a world worth sustaining. Eloquent, visionary, and beautifully written, this incendiary manifesto strikes at the heart of the world’s crises and reframes our understanding of how to solve them, signaling a turning point in our journey towards an ecologically just society.

The three R’s of the climate change generation—reduce, reuse, and recycle—are long overdue for an upgrade .Welcome to resist, revolt, rewild.

Mark Boyle is the author of The Moneyless Man and The Moneyless Manifesto. He lived completely without money for three years, and is a director of the global sharing community streetbank.com.

Sales Rank: #947422 in Books
Published on: 2015-11-03
Original language: English
Number of items: 1
Dimensions: 8.40" h x .80" w x 5.40" l, .0 pounds
Binding: Paperback
240 pages

Review
Rare indeed is the book that has a fierceness and intelligence that matches the urgency of our environmental situation, but Mark Boyle has written just such a book. It is a wildly important book, a powerful and profound book. Thank you for writing it.
—Derrick Jensen, coauthor, Deep Green Resistance, and author, Endgame and A Language Older than Words

Each of Mark Boyle’s books has inspired me to dive deeper into myself than ever before. With the knowledge he shares in his writing I have had no choice but to make great changes in my life to live out my beliefs. Drinking Molotov Cocktails with Gandhi was the toughest of his books to swallow, but the most necessary in realizing what must be done to live on a truly sustainable and just planet. There is no hiding from the truth after reading this book.
—Rob Greenfield, author, Dude Making a Difference

Violence is so common in our culture we take it for granted; it’s background noise in our busy lives. Most alive today have not known a world not at war, nor a neighbor untouched by assault, theft or abuse. And yet, we know of cultures in antiquity that went one thousand years without war. We are not biologically different than those peoples. What are we doing differently that makes us so violent? Can we change? Mark Boyle says if we want to exchange a suicidal trajectory for something bringing us grace, harmony and joy – at peace with our planet – we need to answer that. He does, with style.
—Albert Bates, author, The Post Petroleum Survival Guide and Cookbook and The Biochar Solution

There are two books that have shifted my world entirely: Naomi Klein’s This Changes Everything and Mark Boyle’s Drinking Molotov Cocktails with Gandhi – and of the two, Boyle’s is by far the most affecting. If you care about the planet, about our place on it, about the devastation that is modern western living, you have to read this book. Read it, think on it, act on it. Only by each of us doing this, can we hope to be the change we need to see in the world. It’s terrifying. But it’s the truth.
—Manda Scott, author, Boudica and Rome

Mark Boyle’s book throws down the gauntlet at the feet of the world as we know it. His challenge to the complicity of all of us – even those of us who work for change and against injustice – in a system that is destroying the planet and most of its species will trouble many. So too will his endorsement of violent methods of resistance alongside the more accepted nonviolent ones. But he asks questions that need answering at every turn – and his call for the climate change generation to replace “reduce, reuse, recycle” with “resist, revolt, rewild” strikes a nerve.
—Chris Brazier, New Internationalist

In a time of quiescence and fossilised orthodoxies, what we need most is honesty about the human predicament. In this thought-provoking book, Mark Boyle challenges us to explore the dark corners we’d all rather look away from.
—Paul Kingsnorth, author, The Wake and cofounder, Dark Mountain Project

Mark’s new work lays bare and dissects the violence that lies behind the comforts of our industrialized society. He asks some very hard questions of the environmental and social change movements, which we will all need to address if we are to create true social justice and restore the wider web of life.
—Graham Burnett, author, Permaculture: A Beginners Guide and The Vegan Book of Permaculture

From the Back Cover
Rare indeed is the book that has a fierceness and intelligence that matches the urgency of our environmental situation, but Mark Boyle has written just such a book. It is a wildly important book, a powerful and profound book. Thank you for writing it.
—Derrick Jensen, coauthor, Deep Green Resistance, and author, Endgame and A Language Older than Words

About the Author
Mark Boyle lived completely without money for 3 years, and is the author of the bestselling book, The Moneyless Man, and The Moneyless Manifesto. He is a director of Streetbank.com, an online global sharing community, and the founder of 'The Free House', a smallholding and event space in Ireland that combines permaculture principles with gift-based values. His cash-free adventures have been featured in major media on several continents, inspiring thousands to commit to living better with less.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Mark Boyle’s book is a mind opener, a must for those that want to see there is still a great deal we can do, it’s not all lost,
By Lorenzo Costa
Drinking molotov cocktails with Gandhi by Mark Boyle
A review by Lorenzo costa
I met Mark in London in September, we spoke a lot and had a great connection. He gave me his last book and I promised to review it. Time past, and I have just finished the book. It took me time to finish it and this is because this book is not an easy read. I started out swiftly and slowly started halting on some pages, first one, then two, three, I started turning the corners of the pages as reminders, and in the end they were nearly all turned. The concepts Mark shares are so dense they set you thinking and you can’t just dismiss the ideas and insights he shares with a light mind. Every chapter takes the reader in a journey to discover the mess our world is, made up of false views and explanations. He takes the reader down a path that leads to a very interesting ending/starting point. End of the path, start of reshaping of our minds and practices.
Mark describes our world in a clear and raw way without a medium, but every time it is not only a deconstruction of our world, but a reconstruction. Mark builds our strength in interpreting the reality we live in, sharing paths of solution.
The whole book tends to the concept of rewilding earth, and rewilding man. To explain this concept he uses the example of the introduction of the grey wolf in Yellowstone national park. When I heard this story recalled by Mark in London at a public speech, many I think didn’t understand what the strength of the idea was. Many associated the wolf with us and saw the predator instinct we supposedly share. I have come to a conclusion on this point. When Mark speaks of rewilding earth and us, he’s not speaking of feral instincts he’s speaking of feeling, connection, and balance.
The introduction of the grey wolf in Yellowstone wasn’t useful for the fact they introduced a top predator, it was useful for the fact it took back balance to the system. Rewilding ourselves is not putting us in a top spot it’s introducing us back to where we belong: earth, the global ecosystem, nature. Rewilding is about building balance in ourselves and our lives. It is about connecting to our inner-self and outer-self. We have grown up to be imbalanced and are transferring that imbalance to the rest of the planet, from centuries in the so called first world. Only if we shift back to connecting and not simply using, will our presence here be of some use to the rest of nature.
Mark Boyle’s book is a mind opener, a must for those that want to see there is still a great deal we can do, it’s not all lost, but we have to open our eyes now, and rewild!

1 of 1 people found the following review helpful.
Five Stars
By Trevor Hipp
brilliant. An absolute must read for anyone tired of being a pacifist and wants real change.

2 of 3 people found the following review helpful.
With the knowledge he shares in his writing I have had no choice but to make great changes in my life to live out my beliefs
By Rob Greenfield
Each of Mark Boyle’s books has inspired me to dive deeper into myself than ever before. With the knowledge he shares in his writing I have had no choice but to make great changes in my life to live out my beliefs. Drinking Molotov Cocktails with Gandhi was the toughest of his books to swallow, but the most necessary in realizing what must be done to live on a truly sustainable and just planet. There is no hiding from the truth after reading this book.

See all 3 customer reviews...

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